INCCA-NA Statement of Purpose
INCCA-NA is dedicated to developing knowledge through collaborations between artists, art professionals and collectors that will ensure the preservation of modern and contemporary art and provide educational programs for a wide public audience in North America.
Increasingly over the twentieth century, artists experimented with an unprecedented range of new materials and technologies – often with untested longevity and built-in obsolescence leading to physical instability. The coneptual concerns that underpin much of contemporary art make its conservation more than an effort to arrest physical change. The artist’s voice is primary in developing preservation strategies and their participation is essential for future conservation and presentation of their work.
At the heart of this effort is the need for public forums on new forms of collaboration and documentation. INCCA-NA’s network of artists, conservators, curators and collectors is committed to building knowledge and serving as a nexus for educational programs, communications, and resources.
Objectives
- Encourage and support collaborative research projects to develop new knowledge
- Facilitate the sharing of unpublished research in the conservation of modern and contemporary art
- Advocate for the importance of artist intent as a key factor in the conservation of modern and contemporary art
- Stimulate critical debate on the roles and working practices of all professionals involved in the conservation of modern and contemporary art
- Explore and develop opportunities to further the goals of INCCA-NA through educational programs for artists, curators, conservators, students and a broader public audience
Strategies
- Create and collect meta-data records and unpublished documents for the INCCA Database for Artists’ Archives
- Disseminate information via a continually up-dated website
- Promote common methods and vocabularies for conserving modern and contemporary art
- Promote artist interviews and technical analysis as important methods for collecting information on artists’ materials, techniques, and conceptual intent
- Develop and implement collaborative research projects to create new knowledge, promote good practice, and professional and educational tools
- Share this new knowledge through symposia, meetings, and workshops on INCCA-NA and topical issues
- Encourage students to become active in INCCA-NA projects
Other organizations and projects of interest:
American Association of Museums
www.aam-us.org
American Institute for Conservation
www.conservation-us.org
AMIA Association of Moving Image Archivists
www.amianet.org
AMIEN: The Art Materials Information and Education Network
www.amien.org
Art Babble
www.artbabble.org
BAVC Bay Area Video Coalition
www.bavc.org
Canadian Conservation Institute
www.cci-icc.gc.ca/index-eng.aspx
College Art Association
www.collegeart.org
DOCAM Documentation and Conservation of Media Arts Heritage
www.docam.ca
EMG Electronic Media Group of the American Institute for Conservation
cool.conservation-us.org/coolaic/sg/emg/about
Getty Conservation Institute
www.getty.edu/conservation
Harvard Center for Technical Study of Modern Art
www.artmuseums.harvard.edu/ study-and-research/ researchcenters/ctsma.dot
ICOM-CC Modern Materials Group
www.icom-cc.org/32/working-groups/modern-materials-and-contemporary-art-
IMAP Independent Media Arts Preservation
www.imappreserve.org/about/index.html
Inside Installations
www.inside-installations.org/project/index.php
InterPARES 2 Project (International Research on Permanent Authentic Records in Electronic Systems)
www.interpares.org
Matters in Media Art
www.tate.org.uk/research/tateresearch/majorprojects/mediamatters
Variable Media Network
www.variablemedia.net
Western Association for Art Conservation
cool.conservation-us.org/waac




